Blackadder the Third – The Little Theatre, Birkenhead

A thoroughly entertaining production, providing plenty of belly laughs. A lovely homage to a popular cult comedy classic.

The Carlton Players take on one of the most iconic British sitcoms, Blackadder the Third. Written by Richard Curtis and Ben Elton, the scripts provide an absolute feast of sharp wit, blistering sarcasm, and fast-paced satire that would keep even the most seasoned actors on their toes. So, full kudos to this company for tackling such a challenge with evident enthusiasm and affection.

Director Mike Sanders successfully pulls together a performance that captures the heart and soul of Blackadder. The decision to stage three of the series’ most memorable episodes — Ink and Incapability, Nob and Nobility, and Amy and Amiability — makes for a cleverly structured evening of comedy. It’s almost impossible not to see the original television scenes flash through your mind’s eye, but rather than detract from the action on stage, it heightens the nostalgia and respect for the source material. Sanders’s direction balances homage with originality, letting his cast shine through familiar lines without slipping into mere impersonation.

Lee Crosby makes Blackadder his own, crucially embodying the character’s razor-sharp sarcasm and air of perpetual irritation. His timing is impeccable, his disdain palpable, and his cutting remarks land with their humorous intention. Elliot Kinnear’s doe-eyed Baldrick is every bit the lovable dog’s body, his “cunning plans” as gloriously dreadful as ever. Meanwhile, Marc Smith’s Prince George is a joy to watch — gloriously foppish and delightfully dim.

Supporting them is a strong ensemble who bring vivid energy and individuality to each role. The smaller parts sparkle — a testament to the strength of both the writing and the performers. It’s the perfect embodiment of Stanislavski’s quote, “There are no small parts, only small actors.” Chris Clinton’s hilariously flamboyant French Gentleman was a quick yet standout moment, as was Gareth Crawshaw’s Mr Hardwood, whose funny bones and pitch-perfect delivery drew genuine belly laughs. David Tolcher as The Duke of Cheapside was also an unexpected joy.

The Georgian-era costumes are impressive, and there is notable attention to detail with the props.  The set is designed well to allow for quick scene changes. However, there is an opportunity here to introduce a more diverse range of transitions which would allow for a more seamless flow of action. Frustratingly a few technical issues, including misfired sound cues and some lighting hiccups — occasionally disrupted the flow, these are easily fixable and didn’t undermine the overall experience.

Opening on Bonfire Night did provide an unintentionally explosive soundscape — perhaps better suited to Blackadder Goes Forth— but nonetheless, this was a clever, thoroughly enjoyable evening of theatre. A witty, nostalgic triumph that proves the Carlton Players can handle comedy royalty with confidence and charm.

Reviewer: Gill Lewis

Reviewed: 5^th November 2025

North West End UK Rating: