Black Bright Theatre has hit it out of the park once again with their latest fringe production. The company is no stranger to the horror genre – a notoriously difficult style to actualise on stage. However, Black Bright Theatre always manages to hit the nail on the head – this time with a meta twist.
Conceptually so well considered – what seems to be a classic coming of age story, becomes a fourth-wall-breaking, psychologically-thrilling powerhouse. The three actors (Ellen Trevaskiss, Maddie Farnhill, and Mimi Millmore) were exceptional – uniting a playful naturality, and a harrowed, tormented feel into their performances. Their ability to cut through to an audience in such a striking way, both comedically and dramatically, has for me, been unmatched at this year’s fringe.
Initially, I was apprehensive about some of the dialogue – finding it to be slightly cliched and stiff – but as the play progressed, it was clear that this was a production of a high standard. Every technical element ran smoothly, and lent itself well to the perfectly crafted atmosphere.
By far my favourite aspect of the show was the audience involvement – the girls are being watched from the trees – they know there is a presence with them, but it is only revealed at the end that (spoiler) we are that presence. Very clever stuff.
Now moving venues from The Space on The Mile, to The Space @ Venue 45, the show gets the audience expansion it so deserves – a must watch!
Reviewer: Jessie Martin
Reviewed: 10th August 2024
North West End UK Rating:
Based loosely on real events, The Highgate Vampire is a dark comedy play which follows…
Sam Grabiner's 'Christmas Day' is a deft exploration of religion and family politics. Over a…
KD Productions have been bringing Southport’s professional pantomime for the past three years. This year…
What never fails to amaze about Edinburgh’s panto is that year after year, it seems…
Five writers, five directors and twenty five actors come together for the inaugural event from…
The desire to see this Hampstead Theatre revival of Tom Stoppard’s Indian Ink, was initially…