Panto is about tradition. Where the big producing houses, and their star-led shows, can never succeed is in developing a…
It’s hard to believe two decades have passed since the late, great Richard Griffiths first made his motorbike gear-clad entrance…
The marketing and pre-show announcements for Boyography promise a unique story about queer love and fluid sexuality in a “post-gay…
When the Windrush scandal began to emerge, the plight of the victims struck a chord because an injustice was being…
Released at the peak of the Disney renaissance, Aladdin stormed the box office in 1992 and has remained one of…
Apphia Campbell’s play, inspired by the life of Nina Simone, has won critical acclaim and sold-out venues around the world.…
When Enough was first performed at the Greater Manchester Fringe last summer it was depressingly prescient. A play about misogyny,…
Christmas is not an easy time for theatre programmers. The demand is there, from young and old, but so is…
There are very few certainties in life, or theatre. One is surely that a night with a New Adventures dance…
There is something intensely personal about Spam Valley. Perhaps unsurprising given it is described as an ‘autobiographical monologue’ of Kevin…