Ophelia by TheArchive is, in the company’s own words, not an adaptation; not a rewrite; it’s a reckoning. In Samuel…
A ten-foot pool of blood spilling across a white-tiled floor is the final image in Georgie Dettmer’s professional playwriting debut…
In the aftermath of grief, it’s a long and difficult lesson to re-learn: we’re better off with people than without…
Alan Hollinghurst’s 2004 novel The Line of Beauty takes its title from William Hogarth’s work on the empirical analysis of…
What gives a piece of art its value? Is it purely aesthetic? Is it arbitrary, decided in reverse once a…
Nima Taleghani’s Bacchae is an explicitly pro-women reading of the Euripedes’ tragedy, if one that feels slightly dated (and not…
Three brothers are born to daughterless parents sometime in the eighteenth century. Each is uniquely traumatised by his upbringing: the…
“Through indiscriminate suffering men know fear / and fear is the most divine emotion.” Zora Neale Hurston’s sermon-like words, which…
If you’re queer and living in London in 2025, chances are you know someone in an open relationship. You might…
W. Somerset Maugham’s The Constant Wife, written and set nearly half a century after A Doll’s House, transforms Ibsen’s critiques…