I descended a labyrinth of stairs into the sub-basement of Cabaret Voltaire to find Dan Rath. Red and blue LEDs…
Having been rather underwhelmed by my previous excursion into burlesque at this year's Fringe, I am pleased to report that Sexy…
Of the 30-odd shows I've had the pleasure of seeing so far this Fringe, Dreamgirl is certainly the sweetest. To look into…
What a contrast. Barely had The Love-Hungry Farmer packed away his lonely Irish farmhouse before Captivate Theatre arrived in the same Assembly…
There is something slightly curious about watching a consummate storyteller who, for the first ten minutes or so, appears not…
I interviewed Richard MacLean Smith earlier in the Fringe and was intrigued by the trajectory of a man who started…
Oh my God. What just happened to opera? Missy Mazzoli’s The Galloping Cure absolutely blew me away in its first half. Not…
Of all this year’s Sauna Theatre propositions at Summerhall, Bubble Schmeisis (Remixed) perhaps feels the most like theatre. There is good…
I have always been a fan of the one-man show. There seem fewer of them at the Fringe this year,…
Weird, uplifting, heartfelt. Salty Brine does not simply perform an album. He takes it apart, rummages around inside it, follows…