There is something slightly incongruous about seeing Meursault at the Traverse Theatre. The venue is best known for drama rather…
When a beloved novel arrives on stage, the question is always the same, what can theatre add that the page…
The latest touring production of The Bacchae by Euripides, presented by Company of Wolves at The Studio at Festival Theatre in Edinburgh…
At the screening at the Glasgow Film Theatre during the Glasgow Film Festival, the festival director began with a small…
Tom Stoppard’s Rosencrantz and Guildenstern Are Dead is a play that wears its cleverness cheerfully on its sleeve and occasionally waves it…
There’s something quietly disarming about walking into the Traverse and finding the choir already in place. No theatrical reveal, just…
Scratch nights are, by their very nature, uneven affairs, messy blue prints or gluey models rather than finished buildings. And [UN]LOVABLE at…
At Summerhall, as part of the Manipulate Festival, Julia Taudevin’s Auntie Empire is a show that improves as it decays.…
At the Traverse Theatre, as part of the Manipulate Festival, Dewey Dell’s The Rite of Spring announces itself as a work that…
There’s a moment early on in Don Quixote (is a Very Big Book) where the performer suggests the entire show…