35 DAYS TO SAVE THE KING’S!

AS EDINBURGH LOSES OUT ON UK GOVERNMENT’S LEVELLING UP FUNDING, CAPITAL THEATRES IS WORKING WITH THE SCOTTISH GOVERNMENT, CITY OF EDINBURGH COUNCIL AND THE UK GOVERNMENT TO ENSURE THE KING’S THEATRE DOESN’T CLOSE ITS DOORS FOREVER

• City of Edinburgh Council’s bid to the UK Government’s Levelling Up Fund has been unsuccessful. This grant would have been a crucial contribution towards the funding gap for the King’s Redevelopment project caused by inflation, global conflict and changing trade routes.

• Capital Theatres, the charity which runs the King’s, has already raised £26m and must find the remaining £8.9m in the next 35 days, in time to sign over the building to the contractors, stay on track with the project, and avoid spiralling costs.

• The King’s is vital for the UK’s cultural ecology and is an important heritage community asset that brings significant social and economic benefits to Scotland’s capital city and beyond.

• If the money is not found, Capital Theatres cannot proceed with the redevelopment and will have to hand the keys back to City of Edinburgh Council who own the building.

• Without the redevelopment this Grade A listed building risks closing its doors for good. We are now working with the Scottish Government, City of Edinburgh Council and the UK Government to find this vital funding.

As reported at the end of August 2022, when the King’s Theatre closed in preparation for its transformational redevelopment, a funding gap has placed the King’s future in peril. £26 million has been successfully fundraised by Capital Theatres, but inflation, global conflict and changing trading agreements means that the project will cost an estimated £8.9m more.

If this money is not found before the building is due to be signed over to the contractors in 35 days, we will not be able to keep the project on track and costs will spiral. The King’s could close its doors forever and the city will lose an essential venue and a vital cultural hub for its communities.

Funding from public bodies and generous donations have helped to get us this far but we now need increased support from statutory funders, Scottish Government, the City of Edinburgh Council and the UK Government to see this project over the line.

Fiona Gibson CEO of Capital Theatres said:

“This really is the last chance saloon for the King’s.

It’s been a long road planning and fundraising for the capital redevelopment of the King’s Theatre to turn it into both a thriving community hub, fully accessible to audiences and performers, and a world class venue, while maintaining its history and heritage. Nearly all the original capital cost estimate of £26 million to transform the King’s is in place thanks to grants from the Scottish Government, City of Edinburgh Council and the National Lottery Heritage Fund; generous donations from our patrons and donors, companies and trusts; as well as Capital Theatres’ own contribution. We are incredibly proud of the collective effort to reach this figure.

However, as with all construction projects in the UK currently, we are facing new challenges because of delays in supply chain caused by changing trading agreements, global conflict and increasing levels of inflation. Due to these factors, it has emerged in the last few months that the project costs will increase by an estimated £8.9m. We’ve examined our options and we cannot reduce the project cost any further by value engineering and to delay the redevelopment could lead to even higher costs in the long-term, putting the entire project at risk. If the money is not found in the next few weeks, the last opportunity for us to greenlight the project, the King’s could close its doors forever.

We know what a difficult time this is to be asking for additional funding with so much financial need in every area of civic life, but as custodians of this beloved theatre, we have to fight for its survival.

From the moment the funding gap emerged we have been in close contact and working with key funders including the Scottish Government, City of Edinburgh Council and the UK Government.  We need their support to deliver this transformative redevelopment for Tollcross, Edinburgh and Scottish Theatre, ensuring the King’s Theatre is there for generations to come.”

Culture and Communities Convener Cllr Val Walker said: “While we’re disappointed not to have been successful in this round of the Levelling Up fund, we look forward to continuing dialogue and exploring any opportunities open to help secure the future of the Kings Theatre.”

Brian Cox, Honorary Patron of the King’s Theatre said:

“The King’s is vital to the Scottish Theatre ecology and a key touring venue which brings a variety of genres to the central belt; not to mention a source of comfort and joy in panto season. Without the planned transformational redevelopment improving access, preserving heritage and opening the building up to the community, the King’s will close its doors forever. After a hugely successful fundraising effort to reach the original budgeted cost of £26 million, we cannot let the rising costs due to inflation, trade agreements and global conflict put the project in peril. We must save the King’s for future generations.”

Lynn Brand, Head Teacher of Tollcross Primary School said:

“The King’s is a significant landmark for Tollcross and it’s very much part of our community, and it’s very much oor King’s theatre.”

Stephen Greenhorn, playwright and creator of River City said:

“The King’s for me was my first experience of live theatre at the King’s Panto… and I’m sure that the King’s, for hundreds of thousands of kids by now, is their first experience of live theatre. I don’t think people will realise what it brought to the city until it’s gone.”

Elizabeth Newman, Artistic Director of Pitlochry Festival Theatre said:

“If the King’s redevelopment didn’t go ahead it would be a profound loss to Scottish Theatre but more than that to the nation’s audiences. It has to go ahead, it has to be here, and it has to be modernised.”

Charlotte Fabien, long-term attender said:

“I am one hundred years old and have always come to the King’s, now please support the King’s so the next generation can enjoy it as well.”

Robert Softley Gale, Artistic Director of Birds of Paradise Theatre Company which promotes the work of disabled artists said:

“The redevelopment of the King’s is so important because it means that more disabled people can experience live theatre, but also put their work on in that venue and can be part of Scottish culture in a really important way.”

Tommy Sheppard, MP said:

“It’s a real nightmare to think that this place might close and be turned into some kind of yuppie flats which is the last thing we need, and all this wonderful facility that’s been here for so many decades, and could be here for so many decades more, would be lost. We can’t lose it.”

Sarah Boyack MSP said:

“We cannot contemplate the loss of the King’s, the refurbishment has to go ahead so it’s accessible, it’s brought to life and future generations and visitors to Edinburgh can enjoy the Kings going forward.”

Capital Theatres is incredibly grateful for all the support received so far from so many generous supporters.  If members of the public wonder what they can do to help save the King’s, they can write to their MP, MSPs and City of Edinburgh Councillors telling them why they love the King’s and call for this wonderful theatre to be saved. Learn more at www.capitaltheatres.com/kings-future/