Photo: Luke Chadwick
Human beings are fragile creatures. The connections between us are fraught and tenuous, both physically and spiritually. Copenhagen Collective’s The Genesis offers audiences a powerful reminder of this gravitational reality.
Beautifully choreographed and directed by Patrick King and Johan King Silverhult, and set to a mesmerizing score by composer Leif Jordansson, this one-hour circus piece is both awe-inspiring and astounding. As sixteen incredible acrobats weave, dart, pulsate, soar, and even sometimes falter, it is impossible to look away—even as tension builds to almost unbearable heights.
The light conception by Stefan Goldbaum Tarabini is so entrancing it occasionally draws focus from the performers themselves—a welcome respite in an hour so deliriously packed with feats of bravado that it is difficult for viewers to catch a breath and impossible to retain composure.
Costumes by Julie Hendel, Louise Egebro, and Camilla Suleima are thoughtfully designed for both form and function. Their utility and beauty support the collective’s efforts to challenge gender expectations in acrobatics, with performers of various presentations displaying dynamic and surprising physical relationships in a variety of circus circumstances.
Engrossing and exhilarating, The Genesis is everything. The Genesis runs until 6th September at The Peacock Theatre with tickets available at https://www.sadlerswells.com/whats-on/copenhagen-collective-the-genesis/
Reviewer: Kira Daniels
Reviewed: 3rd September 2025
North West End UK Rating:
The outrageously hilarious Pride and Prejudice* (*sort of) comes bursting on to the Moondance stage…
Having seen the musical Jersey Boys several times now, both as a reviewer as well…
There are tribute bands, and then there are those which, for a couple of hours…
Dear Joanna, My Favourite Animals Are Scorpions is an unsettling exploration of childhood friendship, adolescent…
Tandem is a writing collective established and run by playwrights Jennifer Adam, Amy Hawes and…
There is something inherently difficult about making theatre about an event that is still unfolding,…