A two-hander which deftly weaves together and unravels an abyss of unexpected, shocking revelations and emotional depths. An end of seat dark comedy drama exploring the complexities of a strained sister-in-law relationship amidst a backdrop of loss.
The affluent McGregor family, steeped in privilege, is rocked by the sudden death of Robert McGregor, leading to a tense reunion between his logical wife, Kay (Roberta Kerr), and her free-spirited estranged sister-in-law, Steph (Kerry Willison-Parry), Robert’s younger sister.
As Kay attempts to navigate her grief with a veneer of control, Steph’s irreverent probing unearths some deep-seated resentments, particularly with Kay’s pointed comments about Steph’s financial irresponsibility, and Steph’s disdain of Kay’s working-class roots, including her Bolton accent, (“tough talking from the working-class gal.”).
This power struggle, laced with sharp dialogue, reveals a profound disdain that veers into pity, exposing the fissures in their relationship. Directed by Sue Jenkins, the play showcases powerful female voices with Kerr and Willison-Parry, each bringing their characters’ complexities to life.
Christine Mackie’s writing immerses us in a web of deceit and trauma, leading us to question Steph’s motives and the timing of her revelations on the night of Robert’s funeral. As Kay grapples with a rollercoaster of emotions—from empathy to rage—her unravelling perception of her husband and family adds layers to the narrative.
The complexities of past trauma, deceit, and pain are balanced with love, care and understanding. The choices made in order to survive the events that have happened, and happening, reveal the nuances of these two well written characters, providing plenty of substance for a two-act play.
However, the production’s impact is somewhat hindered by its performance space in the Front of House Marquee. A temporary performance space, whilst the theatre completes its makeover. The lack of tiered seating gives way to plenty of strained necks, as the audience try to fully engage with the intricately designed sitting room, with set designed by Rachel Walton-Daniels. Despite this, the strong character dynamics and rich themes create a memorable theatrical experience.
Sponsored by South Lakes Hotels with support from Dukes Theatre Lancaster, HER and Best Girl Productions, Kin is on tour until 2nd November, for tickets visit https://www.herproductions.co.uk/kin.html
Reviewer: Gill Lewis
Reviewed: 30th September 2024
North West End UK Rating:
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