Being a domestic goddess is not as easy as it seems…
This new and innovative thought-provoking comedy tells the story of Julia (Jessica Ransom) and her husband Johnny (Neil McDermott) in their quest to becoming the perfect 1950s couple.
Set in modern day, Julia and Johnny decide to lean strongly into the idea of being a traditional 50s couple, even refurbishing their home and lifestyle in order to fit into the mould. A voluntary redundancy takes Julia from a modern working professional into a traditional housewife’s role, and what started out as a six-month trial period turned into a three-year ‘experiment’.
The intricate, bright and colourful set is a major character of this show, the detail bringing the action on stage to life and allowing the cast to use the entirety of the space. The focus is on the kitchen and living room, perfectly furnished, with vintage pieces to create a window back in time. Together with contemporary music, including the celebrated ‘Mr. Sandman’, and fifties swing dance, the audience is fully transported into this imaginative story.
The play creates new and striking ways to grab the audience’s attention, with scene changes becoming part of the entertainment. Most distinctively, the use of Julia and Johnny’s friends, Fran (Cassie Bradley) and Marcus (Matthew Douglas), dancing in perfect sync between each scene with attractive costume changes, of course keeping in line with the 1950s theme. With creative lighting choices, the audience remains captivated.
This play portrays a realistic reaction to a change of lifestyle, the relationship between Julia and Johnny perfectly highlighting struggles that people feel on a day-to-day basis. The chemistry between Ransom and McDermott is evident, their portrayal of a long-term marriage relatable and causing the audience to root for their relationship, despite the distraction of Johnny’s boss (Shanez Pattni).
A notable moment was towards the end of the play, when Julia’s mother (Diane Keen) addressed her daughter in a monologue referring to what life was really like in the fifties, and not the fantasy that Julia has made it out to be, particularly highlighting the struggles of women throughout history. The audience were incredibly moved by Keen’s performance – the content of her speech hitting home to many.
With relatable jokes and critical topics of conversation, including women’s choice in modern-day society, this play is fulfilling entertainment, with a great cast who have perfected their comedic delivery. With an important message to find your own happiness and make your own way of life, this show is enthusing and gratifying, and one that any audience member is sure to appreciate.
Home, I’m Darling is currently on tour until 13th May 2023, showing at various venues around the UK. Dates and tickets can be found at: https://www.nationaltheatre.org.uk/productions/home-im-darling/#tour-dates
Reviewer: Maani Way
Reviewed: 4th April 2023
North West End UK Rating: ★★★★
Producer Chunsoo Shin is thrilled to announce his smash hit new musical adaptation of F.…
All's Well is a tricky play for both performers and audience as the plot is…
Especially at this time of year, you can’t beat a panto. The beauty of this…
Disley Theatrical Productions return to St Mary’s Creative Space with the Christmas Classic, It’s a…
This musical is very much a children’s entertainment, so it’s therefore surprising that it runs…
I was glad to see how busy it was in the Studio for this production.…