Ryan Craig’s adaptation is aptly contemporary in places and unapologetically Georgian in others. The best affectations of Austen’s linguistic prowess…
On a night when Storm Amy lashed Leeds with wind and rain, Opera North’s Susanna offered a different kind of…
When C S Lewis wrote The Chronicles of Narnia, he couldn’t have envisaged that the second in the series, The…
Opera North opened its 2025–26 season with something quietly radical: the UK premiere of the extended Hamburg version of Dame…
The aptly named play Consumed, written by Karis Kelly won the Women’s Prize for Playwriting in 2022, is a dark,…
Picture this, utter silence, a dimly lit stage, bulbs of warm light scattered in each corner, a piano centre stage…
Matthew Bourne’s The Midnight Bell arrived in Sheffield with all the pomp of a bold dance show and all the…
On Tuesday evening, make-up intact, I took my front row seat at the Hull Truck Theatre to watch a performance…
Generations of school children have read To Kill a Mockingbird’s tale of racial injustice in 1930s Alabama as past history,…
Riveting and far reaching, a masterclass of storytelling. The Sheffield Theatres and Royal Exchange Theatre Production of Dancing at Lughnasa…