Debuting in London as part of The Hope Theatre’s North Sapph-Fest 2026, The Risotto Is Burning is a charming, bite-sized…
With everyone from Tina Turner to Frank Sinatra getting the jukebox musical biopic treatment as of late, it’s no surprise…
As a child of the early noughties, I remember Julia Donaldson’s The Gruffalo as a distinctive cultural touchstone of my…
Haunted houses aren’t just the decaying, cobwebbed old mansions we’ve seen in popular culture for decades. In a similar vein…
Deep down in an underground bunker made of concrete and reinforced steel, our unnamed protagonist (played by Lex Lee on…
After working in a record shop in Liverpool for a number of years, Alastair Clark quit to pursue his dream…
Virginia Woolf’s poetic, genre-resistent novel The Waves might not feel like an obvious candidate for a theatrical adaptation, but Flora…
Holbeck, Leeds made headlines in 2014 after the local government launched a trial initiative to decriminalise and regulate the sex…
The titular Pemfort we’re welcomed to in Sarah Power’s new play is a castle – or, arguably, a fort –…
In Ollie Maddigan’s The Olive Boy, he tells us how his mum used to compare him to the stoned fruit…