There is something inherently difficult about making theatre about an event that is still unfolding, particularly one as politically charged…
Current/Y is a genuinely interesting but uneven 50-minute piece exploring our relationship with AI, social media and algorithms. Some sequences…
This is the second time I’ve come across the work of physical theatre company Teatro dei Gordi. The first was…
What does a 25-year retrospective owe us? Nostalgia, certainly. A greatest-hits reel, perhaps. What BalletBoyz offer instead at Sadler’s Wells…
Escaped Alone at The Coronet Theatre is one of those productions that feels perpetually on the verge of becoming something…
I once described a Wooster Group production to a prospective theatre date as a “massage for the brain”. She was…
It’s 1985. London. Rupert Murdoch secretly relocates his entire newspaper operation overnight from Fleet Street to a purpose-built facility in…
At a time when humankind seems increasingly determined to write itself out of its own timeline, Neon Dance’s Last and…
What I find most unsettling about Strindberg’s Miss Julie these days is no longer the play itself, but that it…
Timing is everything they say. The Debate: Baldwin vs Buckley could have not come at a better time. Watching a…