Caroline Worswick

The London Improvathon – Wilton’s Music Hall

After taking time to catch up on sleep and sustenance, it is comforting to reflect on what a special event…

9 months ago

The Merchant of Venice 1936 – The Criterion Theatre

Relocated from the traditional Venice of the 16th century, to 1930’s East End of London, this thoroughly re-worked and re-freshed…

10 months ago

Stitches – The Hope Theatre

My 19-year-old son has a teddy, or should I say a rag that used to be a teddy; I also…

10 months ago

King Lear – Wyndham’s Theatre

Written in 1604, King Lear is sandwiched between Measure For Measure, Othello and Macbeth, a period in the bard’s writing…

1 year ago

Annie – Manchester Opera House

The story of orphan Annie originates from a 1924 comic strip called Little Orphan Annie by Harold Gray, lyricist Martin…

1 year ago

10/400 – Celebrating The 400th Birthday of Shakespeare’s First Folio – The Library of Birmingham

The Library of Birmingham was the setting, and the team behind the ‘Everything To Everybody’ project collaborated with bardic improvisers,…

1 year ago

Nick Everritt: The Quiet Man – Aces & Eights

Time for some comedy down at Aces & Eights, and from Nick Everritt who calls himself, The Quiet Man.  Not…

1 year ago

The Two Horsemen – Aces & Eights

Whenever I am ‘fringing’ (yes, let’s make it a verb), I like to go along to see some improv.  The…

1 year ago

Body 115 – The Hope Theatre

In an extremely warm theatre, I watched poet and writer Jan Noble, create imagery with verse, a necromancer of inventive…

1 year ago

Remember The Before – Hen & Chickens Theatre

An unnamed couple try to pick over their relationship memories, but why do their memories differ?  An intriguing peek into…

1 year ago