Aditi Dalal, Author at North West End UK

9Nov

By Aditi DalalNo Comments

London

Scratches – Arcola Theatre

Self-harm and comedy don’t seem like concepts that sit quite right together; it almost feels like a toxic pair. But Aoife Kennan nails this combination, and with such panache! Kennan starts off on stage with a sex story that seems like a one-woman comedy show, only to be interrupted by her ‘best friend’ played by Zak Ghazi-Torbati. Together, the duo challenge stereotypes, take a dig at how ‘diversity and inclusion’ boxes are commonly ticked, how GPs only focus on handing out medication instead of dealing with the feelings and how they can outdo each other’s stage presence - which is a hard contest because they’re both brilliant performers! In the power packed hour, we are able to gently unpack what goes on in the brain and body of those battling with anxiety and depression, and how t...

Breaking the Castle – Old Red Lion Theatre

8Nov

By Aditi DalalNo Comments

North West

Breaking the Castle – Old Red Lion Theatre

There must be something special about a one-man show relating to addiction and mental illness if it has toured multiple venues across Australia and the UK. With outstanding reviews and audiences engaging with the show, it is clear that the dark, heavy and sensitive themes of the play are skillfully dealt with by writer and actor Peter Cook. The audience enters to a stage littered with some props, chairs and stools. These are creatively used across the settings that the play traverses through. Cook is a great storyteller, both with his words and performance. He tirelessly braves through the 75-minute play, sharing his own experiences with addiction and rehabilitation through the fictionalised character of David. The writing is crisp and conversational - and in a space as intimate as the ...

2Nov

By Aditi DalalNo Comments

London

A View from the Bridge – Rose Theatre

The Arthur Miller classic was first staged as a one act production on Broadway in 1955. This latest co-production with Headlong Theatre, Bolton Octagon, Chichester Festival Theatre and the Rose Theatre sees it in its full-length version, with the play's central themes resonating just as powerfully in today's world. Set in a working-class Italian American neighbourhood in Brooklyn, the story revolves around the complex dynamics within the Carbone family. Eddie Carbone (Jonathan Slinger) is a longshoreman who becomes increasingly obsessed with his niece, Catherine (Rachelle Diedericks). Tensions escalate when two Italian immigrants, Marco (Tommy Sim’aan) and Rodolpho (Luke Newberry), move in with the Carbone family, leading to a dramatic confrontation as Eddie's jealousy and cultural clas...

A Midsummer Night’s Dream – Shakespeare’s Globe

27May

By Aditi DalalNo Comments

London

A Midsummer Night’s Dream – Shakespeare’s Globe

Elle While presents a vibrant, new production of the widely performed, if not widely loved play. With a few contemporary references thrown in and some of the original text being reinterpreted for modern times, the show feels like a fresh chaotic riot. It is amazing how many versions of the same play can be created! The bright costumes by takis keep the Elizabethan spirit alive and the specific colours for each character help even novices keep track of the changing affections between the lovers. The boisterousness of the costumes is carried through in the movement direction by Annie-Lunnette Deakin-Foster. The cast seems to be in a two and half hour long party, with everyone in a highly intoxicated but slickly controlled state, springing off the magnanimous stage. But all is not brigh...

24May

By Aditi DalalNo Comments

London

Absent Friends – OSO Arts Centre

When you think of an Alan Ayckbourn play, a tragi-comedy set at a tea party, at a fringe venue overlooking a pond, you set yourself up for a lovely evening of theatre. And the theatre was indeed lovely, a beautiful exterior with an intimate performance space, but the venue is about the only thing that the show got right. Diana (Polly Smith) invites friends over for a tea party, after their long-lost friend, Colin Thomas Willshire), is supposedly grieving the death of his fiance. Tension is evident between and within the couples; Evelyn (Liv Koplick) has been sleeping with Diana’s husband, Paul (Eoin Lynch). Evelyn’s husband, John (Kieran Seabrook-France) is aware of this but doesn’t say anything; he is in business with Paul. Marge (Bridget Lambert) unsuccessfully attempts to maintain th...

21Mar

By Aditi DalalNo Comments

London

Hamlet – National Theatre

Shakespeare’s much-loved and much-performed tragedy is back with a neo classical adaptation for young audiences by Jude Christian, directed by Ellie Hurt. This energetic and funny show has the little ones completely enthralled, right from the pre-show crowd work that the actors employ to draw in the audience to the many moments of utter shock and surprise throughout the 65-minute performance. The audience is even asked to actively contribute to the play within the play by creating sounds and chanting ‘mur-der-er’ to shame and chase actors off stage. The play opens with a scene showing the funeral of Hamlet’s father; ‘dad’ and ‘king’ are spelt out in floral tribunals making the event very clear and this intentional clarity is evident throughout the play, making it easy for young audience...

<strong>Lemons, Lemons, Lemons, Lemons, Lemons – Harold Pinter Theatre</strong>

1Feb

By Aditi DalalNo Comments

London

Lemons, Lemons, Lemons, Lemons, Lemons – Harold Pinter Theatre

Bernadette and Oliver meet at a cat's funeral. One of them is an aspiring musician and the other is a lawyer. One of them has parents who ‘live in a castle’ and the other doesn’t want to have anything to do with the circumstances they worked their way upwards from. As they begin to get to know each other, their past and present, they’re presented with a challenge - they have a strict limit on the amount of words available to speak each day. How many do they need at work and how many can they use at a party? How many are they left with to communicate with each other? What happens when one of them has more words left than the other and what happens when they run out completely? While they use made-up abbreviations and morse code to navigate the literal challenge, what does not having enough ...

<strong>The Ghosting of Rabbie Burns – King’s Head Theatre</strong>

6Jan

By Aditi DalalNo Comments

London

The Ghosting of Rabbie Burns – King’s Head Theatre

A heartbroken young woman (Emily Ashton) retreats into a cottage, frantically trying to rearrange it. As the realisation of being alone on Burns Night dawns upon her, she sinks into her chair. Little does she expect to be joined by Robert Burns (Kieran Francis Begley) himself! After testing whether he is the ghost of the real man himself through a laboured quiz on dates of publication of his plays, she is somewhat satisfied. Interspersed with song, which brings a lovely energy to the show, he tries to give her dating advice and ends up taking her through a, (again) quite laboured, practice date which only increases her frustration. The story ends with him literally ghosting her (though, to be fair, with warning) and some new insights spark for this young woman. From the outset, Begley p...

<strong>Sons of the Prophet – Hampstead Theatre</strong>

13Dec

By Aditi DalalNo Comments

London

Sons of the Prophet – Hampstead Theatre

I begin watching any show by giving it my full attention, like any respectful audience member. But how long can one keep the focus if the production doesn’t meet you halfway? Sons of the Prophet, unfortunately, doesn’t do much to keep the audience engaged through story or performance. The production design by Samal Blak is elaborate, with the stage accommodating multiple settings spanning across two levels. Such expanse is more typical to larger shows and musicals that have larger-than-life storytelling. For this story exploring the intimacies of a family in rural Pennsylvania, constantly moving across different spaces in 105 minutes took away from the inner conflict and intricate complexities of the themes being explored. Each scene is titled like a book chapter and takes place in a di...

<strong>Noor – Southwark Playhouse</strong>

14Nov

By Aditi DalalNo Comments

London

Noor – Southwark Playhouse

A British spy of Indian Muslim heritage, Noor was an inspirational woman during World War II. Her story, with its political and moral complexities has been craftily worded by Azma Dar in this production. Dar undertook extensive research into the life of Noor over a decade ago and in 2018, Kali Theatre presented a reading of an earlier version of the play as part of its War Plays season. Now fully realised by a fabulous creative team, Noor is presented as a 105-minute play at Southwark Playhouse, outlining the values and mission of this daring woman. The play takes the audience on a journey from Noor’s aspirations as a writer to her training to become the first British woman to be a wireless operator on an international mission to her encounters in Paris, fighting for her country and for...