Thursday, April 18

Tag: Fisayo Akinade

The Glow – Royal Court
London

The Glow – Royal Court

“You go far back enough, and everything turns to myth” Alistair Mcdowall’s “The Glow” is written with a plethora of colours and flavours, bursting at the seams with ideas about time and the ephemerality of the past. Its central focus is on myth, with a defining character whose presence transcends the stage. Found in an asylum in 1863, a woman is assumed to be a perfect host for an ambitious necromancer but soon things turn awry as the woman’s magical powers come into their own. With an eclectic mix of characters and shifting timelines, it is a joy to watch the complete changes in mood from scene to scene. The plot is anchored by the pivotal character, the woman played by Ria Zmitrowicz, as her character slowly unfurls like she is learning how to exist. Zmitrowicz imbues the characte...
Romeo & Juliet – The National Theatre
REVIEWS

Romeo & Juliet – The National Theatre

Faint heart never won fair lady, so it is only right that under the direction of Simon Goodwin, the National Theatre, following in the wake of Zeffirelli’s 1968 tour de force and Luhrmann’s wonderful 1996 translation, have boldly reimagined Shakespeare’s classic tale of love to serve up a Romeo & Juliet fit for the 21st Century. Filmed over seventeen days in an empty Lyttelton Theatre, the contrast between scene and unseen spaces offers the perfect parallel for a play which whilst on the surface is a love story, at its heart is riddled with tension, twists, and turns. The Prince (an assured Adrian Lester) provides the authoritative voice of calm and reason after Tybalt (David Judge) and Benvolio (Shubham Saraf) clash before the respective heads of their families, Lord and Lady C...
Inside – Orange Tree Theatre Live Stream
REVIEWS

Inside – Orange Tree Theatre Live Stream

In the first of two instalments of a series curated by OT Literary Associate Guy Jones, Inside looks at the lives of three women who feel that they have been forgotten by the world.  In a world premiere livestreamed from Orange Theatre Company’s auditorium, the three 30-minute plays are part of the Orange Tree Theatre’s digital project, OT On Screen. The first of the three plays is written by Deborah Bruce called Guidesky and I and we walk in the shoes of Diana (Samantha Spiro).  Diana is a mature single woman who is feeling the affects of the long lockdown, having recently lost her mother.  We find Diana leaving her flat to go and clear out her mother’s house, having also lost her job recently.  Her frustration is vented on Guidesky 125, who is the online customer ...