Friday, March 29

Tag: Edinburgh International Festival

Alvin Ailey American Dance Theater – Festival Theatre
Scotland

Alvin Ailey American Dance Theater – Festival Theatre

Alvin Ailey American Dance Theater Programme 2 toilet talk: “It wouldn’t have been my choice, but it was good. I liked the last piece best.” For me, it was all an excellent choice. The dancing was supreme from this group of inclusive and artistic athletes. Their strength and supple limbs pleased me no end. Additionally, I really enjoyed the retro music. The beat and rhythm were retro because this programme hails from 1960 onwards. It was all choreographed by the company’s founder, Alvin Ailey and it still part of their international repertoire. This company is founded on the ethics of inclusivity, mutual support and opportunity for all. With this in their back pocket, the team at Alvin Ailey routinely invite local aspiring dancers to be part of their performances. The youngsters ...
Life is a Dream – Lyceum Theatre
Scotland

Life is a Dream – Lyceum Theatre

Co-produced by Cheek by Jowl, Compañía Nacional de Teatro Clásico (CNTC Madrid) and LAZONA; in collaboration with the Barbican, London and Scène Nationale d’ALBI-Tarn, France The only time I saw a production by Cheek by Jowl was in 1981, when the company was an infant. I don’t remember the play I saw, but I remember the company because the production was jaw-droppingly good. For this reason, I chose to review, decades later, Life is a Dream. In this classic Spanish tale, a prince is released from imprisonment to test whether the prophesy that he will be a tyrant, will, in fact, come true. The play is listed as one of the forty greatest plays of all time. It was performed in Spanish with English surtitles. First published in 1636, you could be forgiven for wondering if it migh...
Tannhäuser: Deutsche Oper Berlin – Usher Hall
Scotland

Tannhäuser: Deutsche Oper Berlin – Usher Hall

Sitting from 6 pm - 10 pm is a big ask for an audience. It’s an even bigger ask for an orchestra and singers. Below me, from my balcony, I could see a sea of white heads. I think it takes maturity to know this will be worth it. The majority down there are probably Munro climbers - folk who know it is worth the trek. Sitting through a Wagner opera (on stage or in concert) is a statement of love. Wagner is bold. He’s brassy. He’s massively dramatic - employing harps and I’m a bit of a lover of those things. I am a novice to Tannhäuser, and it did not disappoint. I was truly impressed with all the performers. Together, they comprised: chorus and orchestra of the Deutch Oper Berlin and musicians from the Royal Scottish National Orchestra. Sir Donald Runnicles conducted while Jeremy Bine...
Jake Bugg – Edinburgh Playhouse
Scotland

Jake Bugg – Edinburgh Playhouse

Bringing my Edinburgh Fringe reviewing to an end for another year (with review number 63!), an absolute belter, five-star performance by Nottingham lad, singer-songwriter and supreme musician, Jake Bugg, at the Edinburgh Playhouse. An artist that I have known of and heard snippets of over the last ten years, this concert came as a very pleasant surprise, and reminded me that I actually do know loads of his songs, albeit not the names of them! Luckily, I was sitting next to fellow reviewer and big Bugg fan, Eilidh Tuckett from Artmag, who was able to lean over and tell me the names of the songs as they came thick and fast. Thanks Eilidh! From the very Oasis sounding, Kingpin, from Bugg’s second album to the much softer and more lyrical Hold Tight, his favourite from his fifth album, ...
Julia Bullock & Bretton Brown – The Queens Hall
Scotland

Julia Bullock & Bretton Brown – The Queens Hall

Julia Bullock is an American Soprano, from Missouri, the New York Times have described as, ‘An impressive, fast-rising soprano…poised for a significant career’. This was a real concert of two halves, the first section being more classical and almost funereal in places, and the second  after the interval, being much more lyrical and almost playful, albeit with a serious message. And perhaps pointing towards the dual personality of Bullock herself; extremely serious about her music, with many years of Classical training, on the one hand but clearly also very passionately involved with the plight of sisterhood and Black America. I particularly liked the tenderly sung, Billy Holliday number, ‘Our Love Is Different’, which also included some beautiful Jazz solos by pianist Brett...
Mariza – Festival Theatre
Scotland

Mariza – Festival Theatre

Despite the language barrier there is no doubt at all that this is a heck of a show, and a display of superlative singing power and grace, from the statuesque Portuguese star Mariza returning to the Edinburgh International Festival in style after a ten year hiatus. At times dropping the mic and singing without amplification in the vast hall, shows the immense power of her voice, and her confidence in it. Singing songs in Portuguese, in the Fado (translated as destiny or fate in Portuguese) tradition, a style thought to have originated in Lisbon in the 1820s, often associated with pubs and cafes, and renowned for its expressive and profoundly melancholic character. Launching into Loucura, the first song from her first album all of 24 years ago, she reminisces that at that time th...
National Youth Choir of Scotland – Usher Hall
Scotland

National Youth Choir of Scotland – Usher Hall

If you were lucky enough to get to the Usher Hall by 4pm on Sunday, you will have joined a lively run-down (and audience challenge) detailing how and why Scottish National Youth Choir is so exemplary. The choir caters for 0-25-years-old. It is truly outstanding thanks to the skill, playfulness and overall enthusiasm of Artistic Director and Conductor, Christopher Bell who formed the choir in 1996. In 2012, the National Youth Choir of Scotland (NYCoS) became the first youth company to win a Royal Philharmonic Society Music Award in the Ensemble category. Bell calls the company’s methods “stealth teaching” and the games-based learning is just up my street. Balls, hula hoops and old-fashioned clapping games get the rhythm and mood started and the children learn without knowing it. “...
Lady Blackbird – Festival Theatre – Edinburgh International Festival
Scotland

Lady Blackbird – Festival Theatre – Edinburgh International Festival

Ending her three week long debut album Black Acid Soul tour, LA-based Lady Blackbird, AKA Marley Munroe, brought it home in fine style at Edinburgh’s Festival Theatre tonight cheered on by a packed crowd of adoring fans. On what was her first visit to the Capital, and hopeful not her last, it was clearly an emotional moment for the artist and her band as the evening came to a climactic end with tears and a group hug on stage. And why not, it has been a long time coming, as she reached out her hand to the crowd she explained, ‘I’m closing one of the most incredible chapters in my life’. The set list is made up of many of the tracks from Black Acid Soul, released in 2021. The concert features jazz covers such as Blackbird, which Monroe took as her stage name, and also some folk covers al...
As Far As Impossible – Lyceum Theatre
Scotland

As Far As Impossible – Lyceum Theatre

The stage is set with a giant white cloth, held up in places by cables and pulleys. It looks like snow covered mountains, peaceful and serene. This is what ‘the impossible’ looks like from far away. Like a picture postcard. But look closer. Four actors of different nationalities and a drummer combine at various times under, in or in front of the vast cloth structure, which is raised, dropped, illuminated in various ways.  This is a land that most of us do not know of, or ignore, or just wish were not there. But it is. A land visited by aid workers and humanitarians, at least for as long as their sanity can stand it. In the face of civil war, genocide, mass killings how long can anyone’s mind last before cracking apart? And yet, incredibly, some are drawn back again and again to th...
Food – The Studio
Scotland

Food – The Studio

I am one of the ‘lucky’ ones chosen to be seated at a gargantuan table fully laid out with plates and glasses and cutlery, with about 30 other guests, the rest of the ‘audience’ are seated around us on three sides. Geoff Sobelle dressed as a fancy waiter struts around us, in charge of proceedings. He pretends to light a candle and pulls it on a cloth into the middle of the table. Of course, it is only a little pretend candle; no one is allowed to use a naked light in theatre land these days. In fact, as he pulls it, it falls over, so we can all see that it is a little battery powered prop, there is a ripple of laughter. Sobelle shrugs with a grin. Any so it begins. As the lights drop lower and lower and we are asked to close our eyes and are taken on a journey with Sobelle’s sonorous v...