London Archives - Page 4 of 94

20Mar

By Olivia CoxNo Comments

London

Karen – The Other Palace

Break-ups are always hard, but Karen’s Protagonist (Sarah Cameron-West, also the writer and producer) has just had a particularly rough one: it’s her 30th birthday, she’s at Alton Towers eating a Calippo, and she’s just been unceremoniously dumped by her long-term boyfriend, Joe. And if things couldn’t get any worse for our Protagonist, it turns out Joe has also been having an affair with her office nemesis, Karen. This very unfortunate event kicks off Karen, a laugh-a-minute, utterly shameless exploration of the messiest parts of heartbreak and self-discovery. For the next 60 minutes, Karen immerses the audience in the internal and external worlds of Protagonist, who often breaks the fourth wall to talk to the audience as if they’re the other characters she’s interacting with. ...

20Mar

By Eleanor HallNo Comments

London

Fat Chance – Theatre503

Rachel Stockdale gives a high-energy performance in this autobiographical and unapologetic confrontation with fatphobia’s entrenchment within modern culture and social attitudes. Consequently, the piece was full of provocations to challenge our prejudices. Clad in a silk robe, Stockdale became “Stocky the boxer”, a clever spin on the rhetoric of ‘fighting’ through weight loss. As she sang and danced and told us of her story, a trio of projector screens acted as windows into Stockdale’s past, displaying the dates during which she worked various jobs and the impact this had on her weight. This was also intercut with statistics to demystify BMI and highlight the great failings of diet culture. Ultimately, the numbers and facts were emphasised by a deep sense of personal indignation. There wa...

18Mar

By Kira DanielsNo Comments

London

Cold, Dark Matters – The Hope Theatre

It is said that curiosity killed the cat, but satisfaction brought him back. It is also said that you shouldn’t go sticking your nose where it doesn’t belong, and that good advice is almost certain to be ignored. Cold, Dark Matters is a very curious play, and every aspect of its production at the Hope Theatre is morbidly satisfying. Altogether more thought provoking than it has any right to be, this fun, dark tale is neither cynical nor vapid, instead approaching its murky subject matter with a refreshingly forthright earnestness, much the way one might attempt to earn the respect of a particularly wilful horse, or an intimidatingly intimate crowd. Writer and performer Jack Brownridge Kelly doesn’t bother with charming the audience, he simply gets straight to work, and wins them over by b...

17Mar

By Kira DanielsNo Comments

London

The Good Father – Riverside Studios

What are you doing for sex tonight? When was the last time you felt comfortable singing in front of someone? Who do you belong with, really? The Good Father poses all these questions and leaves plenty of empty space in its performance for you to spend the whole night coming up with your own personal answers. Directed by Mark Fitzgerald and written by Christian O’Reilly, this play is somewhat lacking in theatricality and sitting in the audience you get the sense that it’s only being performed live in front of you because there wasn’t enough budget to turn it into a proper film. Both actors’ performances are serviceable and occasionally attention-grabbing, but they have a lot of empty space to fill, and it is an intimate enough story that audiences feel more like interlopers than partici...

17Mar

By Zoё MeeresNo Comments

London

Hide and Seek – Park Theatre

Touching on issues like identity, peer pressure, friendship and the negative impact social media culture is having on young people, Hide and Seek doesn’t feel like entirely untrodden territory. Written by Italian playwright Tobia Rossi and translated and directed here by Carlotta Brentan, Hide and Seek charts the course of an unlikely friendship formed by two boys, Gio (Louis Scarpa) and Mirko (Nico Cetrulo) under quite bizarre circumstances. Bullied and belittled by his classmates, Gio retreats to a cave to escape after leaving a final mark on social media. Mirko finds him, and the two bond over their shared role in sensationalising Gio’s disappearance to feed the ensuing media circus, resorting to some fairly drastic measures to twist the story and stay relevant. As their friendship ...

14Mar

By Kira DanielsNo Comments

London

Harry Clarke – Ambassadors Theatre

A rose by any other name… still has its thorns. It’s what we love about our favourite conmen, Anna Delvey, Elizabeth Holmes, Remington Steele… They’re beautiful but also terribly cringe inducing. We love to hate them but can’t quite bring ourselves to look down on them, so powerful is their allure. Maybe it’s the accent, each one unique and bizarrely captivating, all the more for its inauthenticity. Harry Clarke’s is immaculate, as is Philip Brugglestein’s. In fact, all of the characters Billy Crudup speaks on behalf of over Harry Clarke’s 80-minute runtime are perfectly articulated, under the supervision of vocal coach, Deborah Lapidus. The stage cousin of Matt Damon’s Talented Mr. Ripley, Crudup’s Philip Brugglestein / Harry Clarke is no less charming for being 30 years his film fellow’...

The Wizard Of Oz – New Wimbledon Theatre

14Mar

By Maani WayNo Comments

London

The Wizard Of Oz – New Wimbledon Theatre

This classic tale is reimagined with an inventive and modern take on The Wizard of Oz as we know it. With a talented and enthusiastic cast, comedic and heartfelt moments, this production is an enjoyable watch for all ages. Projections are used extensively which is seemingly becoming the norm for a tour production, and we are launched into Dorothy’s world in Kansas quite abruptly with a somewhat dominating video. While the scene was indeed set, this dynamic video established the tone for much of the staging throughout the production. Despite some extensive and inventive set pieces, the large screen at the back of the stage is used primarily to distinguish scenes and at times this choice feels unnecessary and lazy, particularly as the cast performances are entirely believable. While s...

14Mar

By Gemma PrinceNo Comments

London

Gingerline – The Grand Expedition

Immersive dining trailblazers Gingerline have returned to London with their show The Grand Expedition. The culinary journey started off as a secret project in Tottenham back in 2019 before travelling the world, visiting cities such as Shenzhen, Shanghai, and Seoul. The Grand Expedition is back, bigger and better than before with a full-scale re-imagining of the original story. The team takes you on an edible journey that transports you around the globe with five courses of delicious dishes, telling a story while appealing to your senses with colourful sights, sounds and tastes. As we queued up outside the secret location, the crowd was a mix of Gingerline superfans donning aeronaut-inspired costumes and immersive dining newbies. After we entered the venue, winded and ducked...

A Most Pressing Issue – New Wimbledon Theatre

14Mar

By Olivia CoxNo Comments

London

A Most Pressing Issue – New Wimbledon Theatre

If you imagine a prison, it probably doesn’t strike you as a place teeming with comic potential. Add in the fact that the prison is on fire, and you’re probably visualising a very dark segment on the News at Ten rather than a comedy. But somehow, Tim Harris manages to turn this rather bleak scenario into a very funny 60-minute show in A Most Pressing Issue, playing this week at Studio at New Wimbledon Theatre. At the centre of this caper is Penton (Harris), the prison’s arrogant and sleazy warden who is desperately on the pull, and his nice-but-dim assistant Orly (Matt Williams, who also collaborated on the script). As the pair plan out how they can woo women — while also dealing with the minor inconvenience of the prison somehow catching fire — the two actors show off their bril...

13Mar

By Kira DanielsNo Comments

London

Macbeth (an undoing) – The Rose Theatre

She didn’t know what she was headed for, and when she found out what she was headed for, it was too late. Macbeths come undone. Playwright and director Zinnie Harris’s new and old work, Macbeth (an undoing) sets out to prove that what is done can in fact be undone rather than merely redone. Shakespeare’s Macbeth is arguably overdone, especially at the moment. From Ralph Fiennes to David Tennant, powerful male actors can’t take their grubby hands off it. Audiences too never seem to tire of it. It’s an enduring story, full of sound and fury, and rife with juicy monologues for actors to sink their fangs into. The juiciness of the plot even translates well into foreign adaptations and lubricates applications to very specific historical metaphors. However much of its adaptive appeal rests on w...